Cambodian Living Arts’ Plae Pakaa Show
Reviving Khmer Performing Arts Through Social Enterprise
Factbox
Location
Phnom Penh, Cambodia
Grant Period
Oct 2012 - Sep 2013
Grant Amount
USD 68,164
Beneficiaries
100 Students
Focus Area
Overview
Cambodian Living Arts’ performances create a sustainable platform for traditional Khmer performing arts while supporting training for the next generation of artists.
Impact At A Glance
- Three rotating cultural performances showcasing Cambodian dance, music and theatre
- Training and capacity building for 100 students in traditional performing arts
- Regular performance platform generating income to support master–student programmes
- Cultural experiences introduced to both tourists and local audiences
The Challenge
Cambodia has one of the richest traditions of performing arts in Asean, yet decades of conflict, poverty and underdevelopment have dramatically reduced the number of active performers compared to the thriving cultural scene 50 years ago.
Cambodian Living Arts works to preserve this cultural heritage by engaging master artists to train young performers, particularly youths from underprivileged backgrounds. However, sustaining the master–student training programmes requires consistent funding, alongside efforts to ensure that traditional arts remain relevant to younger generations.
In 2012, the organisation piloted a social enterprise initiative that enabled students to perform regularly for audiences, generating income to support their traditional performing arts classes. Weekly shows were staged at the National Museum of Cambodia to introduce visitors to Khmer cultural traditions.
While the performances attracted interest, the limited show repertoire and frequency made it difficult to generate sufficient ticket sales to achieve profitability.
The Solution
Cambodian Living Arts expanded its performing arts programme into Plae Pakaa, a rotating cultural performance series designed to attract audiences while sustaining traditional arts training.
With support from AirAsia Foundation, the weekly performances were expanded into Plae Pakaa—meaning “Fruitful”—a series of rotating productions featuring three distinct performances. These include the Children of Bassac folk dance troupe, the Mak Therng Yike (Khmer Opera) performance, and Passage of Life, a theatrical presentation of Khmer rituals accompanied by traditional music.
The expanded programme increased both the diversity and frequency of performances, allowing audiences to experience a broader range of Cambodia’s cultural traditions.
During the peak travel season, performances run six days a week, enabling the three troupes to perform twice weekly. In lower travel seasons, the shows continue twice a week while the performers engage in outreach programmes at schools and villages throughout Cambodia.
The Grant with AirAsia Foundation
AirAsia Foundation’s grant supported the expansion of the Plae Pakaa performances while strengthening training opportunities for young artists.
- Provide one year of training and capacity-building classes for 100 students in classical dance, folk dance, traditional Khmer opera and classical music ensembles
- Construct a permanent stage at the National Museum of Cambodia to host the performances
The expanded programme helped the Plae Pakaa performances break even by the end of 2014, allowing Cambodian Living Arts to continue developing new troupes and strengthening its arts education programmes.
The project also created the Cambodian Living Arts Tours, a guided visit to music dance and puppetry classes so that visitors can learn more the organisation’s master-student programmes.
The Organisation
Cambodian Living Arts

Cambodian Living Arts is a Phnom Penh–based non-profit organisation dedicated to transforming Cambodia through the arts.
The organisation provides arts education, capacity building of arts leaders and opportunities for emerging artists to generate income while preserving Cambodia’s rich performing arts traditions.
Team Leader

Phloeun Prim
Phloeun Prim is a visionary cultural entrepreneur who returned to Cambodia after emigrating during the Khmer Rouge genocide.
He has played a key role in transforming Cambodian Living Arts from a grassroots project focused on reviving traditional arts into a leading cultural organisation in Cambodia, leading the role of arts in healing, social transformation and economic development.
Social Enterprise


